{"id":16080,"date":"2021-10-12T13:00:09","date_gmt":"2021-10-12T10:00:09","guid":{"rendered":"https:\/\/mdu.edu.az\/d-biyyat-g-zetinin-11-10-2021-dzi-il-burakh-l-nda-mdu-m-kda-n-n-m-gal-si-d-rdz-olunub\/"},"modified":"2021-10-12T13:00:09","modified_gmt":"2021-10-12T10:00:09","slug":"d-biyyat-g-zetinin-11-10-2021-dzi-il-burakh-l-nda-mdu-m-kda-n-n-m-gal-si-d-rdz-olunub","status":"publish","type":"post","link":"https:\/\/mdu.edu.az\/en\/d-biyyat-g-zetinin-11-10-2021-dzi-il-burakh-l-nda-mdu-m-kda-n-n-m-gal-si-d-rdz-olunub\/","title":{"rendered":"“\u018fd\u0259biyyat” q\u0259zetinin 11.10.2021-ci il burax\u0131l\u0131\u015f\u0131nda MDU \u0259m\u0259kda\u015f\u0131n\u0131n m\u0259qal\u0259si d\u0259rc olunub"},"content":{"rendered":"

TURANDOT – TURAN QIZI – TÜRK QIZI<\/span><\/b><\/p>\n

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 “\u018fd\u0259biyyat” q\u0259zeti, 11.10.2021-ci il<\/a>
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Giri\u015f \u0259v\u0259zi<\/span><\/b><\/span><\/p>\n

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Nizami\u015fünas aliml\u0259r v\u0259 Q\u0259rb \u0259d\u0259biyyat\u0131n\u0131n tan\u0131nm\u0131\u015f t\u0259dqiqatç\u0131lar\u0131 h\u0259l\u0259 kec\u0259n \u0259srin 40-c\u0131 ill\u0259rind\u0259 sübut etmi\u015fl\u0259r ki, frans\u0131z dramaturqu Alen Röne Lesaj\u0131n (1668-1747) “Çin \u015fahzad\u0259si”, italyan yaz\u0131ç\u0131s\u0131, dramaturq, na\u011f\u0131l pyesl\u0259rin mü\u0259llifi Karlo Qotsinin (1720-1806) “Turandot”, alman \u015fairi, filosof, tarixçi v\u0259 dramaturq Fridrix \u015eillerin (1759-1805) “Turandot – Çin \u015fahzad\u0259si” \u0259s\u0259rl\u0259rinin süjeti dahi Az\u0259rbaycan \u015fairi Nizami G\u0259nc\u0259vinin “Yeddi göz\u0259l” poemas\u0131ndak\u0131 dördüncü hekay\u0259y\u0259 – slavyan q\u0131z\u0131n\u0131n hekay\u0259sin\u0259 tam uy\u011fun g\u0259lir.<\/span><\/p>\n

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“Turandot – Çin \u015fahzad\u0259si”<\/span><\/b><\/span><\/p>\n

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Fridrix \u015eillerin “Turandot – Çin \u015fahzad\u0259si” (1801) \u0259s\u0259ri öz b\u0259dii keyfiyy\u0259tl\u0259rin\u0259, hadis\u0259l\u0259rin g\u0259rginliyin\u0259, q\u0259hr\u0259manlar\u0131n yüks\u0259k nitq m\u0259d\u0259niyy\u0259tin\u0259, personajlar\u0131n bitkinliyin\u0259 gör\u0259 h\u0259m Alen Röne Lesaj\u0131n “Cin \u015fahzad\u0259si” (1729), h\u0259m d\u0259 Karlo Qotsinin “Turandot” (1762) \u0259s\u0259rind\u0259n xeyli üstündür.<\/span><\/p>\n

\u015eillerin qad\u0131n q\u0259hr\u0259man\u0131 Turandot xasiyy\u0259tin\u0259 gör\u0259 Nizami G\u0259nc\u0259vinin “Yeddi göz\u0259l” poemas\u0131ndak\u0131 dördüncü hekay\u0259nin (slavyan q\u0131z\u0131n\u0131n hekay\u0259si) q\u0259hr\u0259man\u0131na daha yax\u0131nd\u0131r…<\/span><\/p>\n

\u015eillerin “Turandot – Çin \u015fahzad\u0259si” pyesind\u0259ki \u015f\u0259xs adlar\u0131n\u0131n ara\u015fd\u0131r\u0131lmas\u0131 maraql\u0131 faktlar verir. \u018fs\u0259rd\u0259ki antroponiml\u0259rin (\u015f\u0259xs adlar\u0131n\u0131n) t\u0259rkibi m\u0259n\u015f\u0259 v\u0259 dil m\u0259nsubiyy\u0259tin\u0259 gör\u0259 qar\u0131\u015f\u0131q olsa da, \u0259ks\u0259riyy\u0259ti türk dill\u0259rin\u0259 m\u0259xsus olan \u015f\u0259xs adlar\u0131d\u0131r.<\/span><\/p>\n

Turandot: Çin Xaqan\u0131n\u0131n q\u0131z\u0131.<\/span><\/p>\n

Turandot sözü iki h\u0131ss\u0259d\u0259n ibar\u0259tdir: Turan v\u0259 Dokht (farsca q\u0131z). Bu söz alman dilind\u0259 Tochter (q\u0131z, övlad m\u0259nas\u0131nda), ingilis dilin\u0259 Daughter variant\u0131nda i\u015fl\u0259nir.<\/span><\/p>\n

Turan sözü türk m\u0259n\u015f\u0259lidir: Tur – çoxalan, tör\u0259y\u0259n, var olan dem\u0259kdir. Tur sözü Türk m\u0259nas\u0131nda da i\u015fl\u0259nir. Tur (türk); + an, \u0259n (c\u0259mlik bildir\u0259n \u015f\u0259kilçi). Turan = türkl\u0259r. Turandot – Türkl\u0259rin g\u0131z\u0131, Türk q\u0131z\u0131.<\/span><\/p>\n

Turan sözünün 1) Duran, ya\u015fayan; 2) Türkl\u0259rl\u0259 m\u0259skun ölk\u0259l\u0259r (4, s.492) m\u0259nalar\u0131 da qeyd olunur: Turandot – Turan q\u0131z\u0131.<\/span><\/p>\n

Turandot – Türkl\u0259rin q\u0131z\u0131, Türk q\u0131z\u0131, Turan q\u0131z\u0131 dem\u0259kdir.<\/span><\/p>\n

B\u0259s, ilk bax\u0131\u015fdan “r\u0259hmsiz”, “amans\u0131z” görün\u0259n, inad\u0131ndan dönm\u0259y\u0259n, atas\u0131n\u0131n “vicdans\u0131z övlad”, “zal\u0131m q\u0131z\u0131m” dediyi Turandot \u0259slind\u0259 nec\u0259dir?<\/span><\/p>\n

\u015eiller türk q\u0131z\u0131n\u0131 onun öz sözl\u0259ri il\u0259 oxucuya, tama\u015faç\u0131ya bel\u0259 tan\u0131d\u0131r:<\/span><\/p>\n

“M\u0259n\u0259 r\u0259hmsizdir, q\u0259ddard\u0131r dey\u0259n dill\u0259r yalan deyir. Q\u0259ddar deyil\u0259m. Azad ya\u015famaqd\u0131r m\u0259qs\u0259dim.<\/span><\/p>\n

N\u0259 adla ba\u015fqas\u0131n\u0131n mal\u0131 olum? Azad ya\u015famaq haqq\u0131md\u0131r. Xan q\u0131z\u0131 kimi haqq\u0131ma sahib ç\u0131x\u0131ram. Hüquqsuz olmaq ist\u0259mir\u0259m.<\/span><\/p>\n

Asiyada gördüyüm bütün qad\u0131nlar köl\u0259 kimi t\u0259hqir olunur. \u018fzilmi\u015f h\u0259mcinsl\u0259rimin heyifini almaq ist\u0259yir\u0259m bel\u0259c\u0259.<\/span><\/p>\n

Azadl\u0131\u011f\u0131m\u0131 qorumaq üçün yegan\u0259 silah\u0131m t\u0259bi\u0259tin b\u0259x\u015f etdiyi a\u011fl\u0131m v\u0259 z\u0259kamd\u0131r.<\/span><\/p>\n

Heç kim\u0259 yax\u0131nl\u0131q etmir\u0259m. Gördükl\u0259ri h\u0259r göz\u0259lliy\u0259 acgözlükl\u0259 \u0259ll\u0259rini uzad\u0131rlar. A\u011fl\u0131na dü\u015f\u0259n\u0259 sahib olmaq ist\u0259yirl\u0259r ki\u015fil\u0259r.<\/span><\/p>\n

Bütün ki\u015fil\u0259r etibars\u0131zd\u0131r, bilir\u0259m. Özl\u0259rind\u0259n ba\u015fqa heç k\u0259si sevm\u0259zl\u0259r. Q\u0259dir-qiym\u0259t bilm\u0259z bu ki\u015fil\u0259r.<\/span><\/p>\n

\u0130st\u0259diyini \u0259ld\u0259 etm\u0259k üçün \u0259vv\u0259lc\u0259 qul, köl\u0259 olurlar önünd\u0259. Sahib oldularm\u0131, zal\u0131mla\u015f\u0131rlar, zülmkar olurlar. Yalanç\u0131 qürurlar\u0131n\u0131, ehtiraslar\u0131n\u0131 e\u015fq-m\u0259h\u0259bb\u0259t adland\u0131r\u0131rlar. Bu duy\u011fulard\u0131r onlar\u0131 ölüm oyununa ça\u011f\u0131ran.<\/span><\/p>\n

\u018fsl e\u015fq v\u0259 s\u0259daq\u0259t t\u0259kc\u0259 qad\u0131nlarda olur. Bir ki\u015finin qollar\u0131na girm\u0259kd\u0259ns\u0259, q\u0259bir\u0259 girm\u0259yi üstün tuturam.<\/span><\/p>\n

…Özünü qorumaq üçün Turandot onu ist\u0259y\u0259nl\u0259r\u0259 üç tapmaca verir, bil\u0259nl\u0259 evl\u0259n\u0259c\u0259k, bilm\u0259y\u0259nin boynu vurulub, ba\u015f\u0131 \u015f\u0259h\u0259rin qala qap\u0131s\u0131ndan as\u0131lacaqd\u0131r.<\/span><\/p>\n

…Turandot Türk q\u0131z\u0131d\u0131r. Türk q\u0131z\u0131 göz\u0259llik dem\u0259kdir, sevgi dem\u0259kdir. M\u0259l\u0259kdir, p\u0259ridir türkl\u0259rin q\u0131z\u0131. Laz\u0131m g\u0259l\u0259nd\u0259, ömrünü e\u015fqin\u0259 qurban ed\u0259r Türk q\u0131zlar\u0131.<\/span><\/p>\n

Türk olmaq q\u0259tiyy\u0259tli olmaq dem\u0259kdir. Türk olmaq qürurlu olmaq dem\u0259kdir. O, keçmi\u015fi il\u0259 qürurludur, atas\u0131-babas\u0131 il\u0259 qürurludur.<\/span><\/p>\n

Turandot qad\u0131n haqs\u0131zl\u0131\u011f\u0131 qar\u015f\u0131s\u0131nda d\u0259mir p\u0259rd\u0259dir.<\/span><\/p>\n

Türk q\u0131z\u0131 bilir ki, a\u011fl\u0131n ç\u0131ra\u011f\u0131 elmdir, d\u0259rin bilikdir. <\/span>“\u0130nsana arxad\u0131r onun kamal\u0131… (Nizami)”.<\/span><\/span><\/p>\n

Turandotun sevdiyi o\u011flan \u0259sl-n\u0259cab\u0259tli, \u0259qli c\u0259h\u0259td\u0259n z\u0259ngin, m\u0259n\u0259viyyatca saf v\u0259 t\u0259miz, fiziki c\u0259h\u0259td\u0259n sa\u011flam v\u0259 möhk\u0259m olmal\u0131d\u0131r (“Yeddi göz\u0259l”in dördüncü hekay\u0259tind\u0259 oldu\u011fu kimi).<\/span><\/p>\n

E\u015fq Turandotu kamilliy\u0259 apar\u0131r…<\/span><\/p>\n

Heç kim\u0259 t\u0259slim olmayan Turandot – Turan q\u0131z\u0131 – qürurlu Türk q\u0131z\u0131 sevgiy\u0259 t\u0259slim olur. X\u0259l\u0259f\u0259 e\u015fqini gizl\u0259tmir. “M\u0259\u011flub olan m\u0259n\u0259m”, – deyir.<\/span><\/p>\n

Süjet qaranl\u0131qdan i\u015f\u0131\u011fa, qaradan a\u011fa, zülmd\u0259n \u0259dal\u0259t\u0259 do\u011fru inki\u015faf edir.<\/span><\/p>\n

Altun: \u018ffsan\u0259vi Çin Xaqan\u0131 (Turandotun atas\u0131).<\/span><\/p>\n

Bu ad Gotsid\u0259, \u015eillerd\u0259 italyan v\u0259 alman dilinin fonetikas\u0131na uy\u011fun olaraq üçhecal\u0131 Altoum Aito-um kimi deyilir. Q\u0259dim türk ad\u0131d\u0131r: Alton\/Altun, Alt\u0131n sözünd\u0259ki Al (q\u0131z\u0131l) + ton, y\u0259ni al donlu; q\u0131z\u0131l; görünü\u015fü q\u0131z\u0131l olan m\u0259nalar\u0131n\u0131 verir.<\/span><\/p>\n

Kalaf: H\u0259\u015ft\u0259rxan \u015fahzad\u0259si.<\/span><\/p>\n

Alman, frans\u0131z, italyan dill\u0259rininn t\u0259l\u0259ffüzün\u0259 uy\u011fun olaraq müxt\u0259lif variantlarda yaz\u0131l\u0131r v\u0259 oxunur: Khalaf, Kalaf, Calaf v\u0259 s.<\/span><\/p>\n

\u018fslind\u0259 is\u0259 bu, \u0259r\u0259b m\u0259n\u015f\u0259li X\u0259l\u0259f sözüdür: 1) \u0259v\u0259z, davamç\u0131; 2) varis; 3) övlad; 4) n\u0259sil; 5) sonra g\u0259l\u0259n dem\u0259kdir.<\/span><\/p>\n

X\u0259l\u0259f pyesin \u0259sas ki\u015fi q\u0259hr\u0259man\u0131d\u0131r. \u018fs\u0259rd\u0259 \u0259n çox sevil\u0259n sur\u0259td\u0131r X\u0259l\u0259f. O, H\u0259\u015ft\u0259rxan xan\u0131 Teymurun o\u011fludur, \u0259sl-n\u0259cab\u0259tlidir. H\u0259yat\u0131n h\u0259r üzünü görüb; h\u0259m \u015fahzad\u0259 kimi xo\u015f günl\u0259ri olub, h\u0259m d\u0259 a\u011f\u0131r günl\u0259r, ç\u0259tinlikl\u0259r ya\u015fay\u0131b. Dü\u015fm\u0259nl\u0259ri il\u0259 döyü\u015fd\u0259 qorxusuz sava\u015f\u0131b. \u018fyilm\u0259yib, s\u0131nmay\u0131b…<\/span><\/p>\n

Turandotun \u015f\u0259klini gör\u0259n sürgün H\u0259\u015ft\u0259rxan xan\u0131n\u0131n o\u011flu X\u0259l\u0259f gözl\u0259rini \u015f\u0259kild\u0259n ay\u0131ra bilmir. “Bu heyranedici gözl\u0259rd\u0259, bu saf göz\u0259llikd\u0259 q\u0259tiyy\u0259n q\u0259ddarl\u0131q ola bilm\u0259z. Göyd\u0259n enmi\u015f m\u0259l\u0259kdir bu. E\u015fq tanr\u0131s\u0131ndan al\u0131b bax\u0131\u015flar\u0131n\u0131. Bu bir p\u0259ridir.<\/span><\/p>\n

Ya Turandot, ya ölüm”.<\/span><\/p>\n

\u018fsl türk o\u011fludur X\u0259l\u0259f. Öz sevgisi il\u0259, alic\u0259nabl\u0131\u011f\u0131 il\u0259. Laz\u0131m olanda, güz\u0259\u015ft\u0259 getm\u0259k bacar\u0131\u011f\u0131 il\u0259.<\/span><\/p>\n

Sevdiyi qad\u0131n\u0131 ba\u015f\u0131n\u0131n tac\u0131 edir X\u0259l\u0259f.<\/span><\/p>\n

Timur: Sürgün olunmu\u015f H\u0259\u015ft\u0259rxan xan\u0131 (X\u0259l\u0259fin atas\u0131).<\/span><\/p>\n

Temir-Temür-Timur türk m\u0259n\u015f\u0259li sözdür – 1) d\u0259mir; 2) (m\u0259caz\u0131) d\u0259mir kimi möhk\u0259m, b\u0259rk (sa\u011flam) m\u0259nalar\u0131n\u0131 verir. Bu antroponimin semantikas\u0131nda igidlik, qüvv\u0259tlilik, dözümlülük kimi keyfiyy\u0259tl\u0259r var.<\/span><\/p>\n

Almaz: (Tama\u015fada yaln\u0131z ad\u0131 ç\u0259kilir). X\u0259l\u0259fin anas\u0131.<\/span><\/p>\n

Volqa tatarlar\u0131n\u0131n dilind\u0259 Almaz, \u0130lmaz, \u0130lmas kimi variantlar\u0131 olan Almaz ad\u0131na rast g\u0259lirik. Almaz, \u0130lmaz, \u0130lmas “toxunmayacaq, almayacaq” m\u0259nalar\u0131nda i\u015fl\u0259nir. Bu ad \u015f\u0259r qüvv\u0259l\u0259rin yeni do\u011fulmu\u015f körp\u0259ni üst\u0259l\u0259m\u0259m\u0259si, \u015f\u0259r qüvv\u0259l\u0259rin toxunmamas\u0131, \u015f\u0259r qüvv\u0259l\u0259rin almamas\u0131 üçün u\u015fa\u011fa qoyulur. Kazan Türkl\u0259rind\u0259 u\u015fa\u011fa pis, b\u0259d, yaman gücl\u0259r, a\u011fr\u0131lar toxunmas\u0131n dey\u0259, bu ad verilir.<\/span><\/p>\n

Adelma: Tatar \u015fahzad\u0259si (Xorasan xan\u0131n\u0131n q\u0131z\u0131), Turandotun qulluqçusu.    <\/span><\/p>\n

Adelma \u0259r\u0259b m\u0259n\u015f\u0259li Adil\u0259 qad\u0131n ad\u0131d\u0131r. Sözün kökü Adil \u0259dal\u0259tli, insafl\u0131, düz i\u015f gör\u0259n dem\u0259kdir.<\/span><\/p>\n

Zelima: Turandotun ba\u015fqa qulluqçusu.<\/span><\/p>\n

Zelima \u0259r\u0259b m\u0259n\u015f\u0259li S\u0259lim\u0259 qad\u0131n ad\u0131d\u0131r. Sözün kökü S\u0259lim: 1) sa\u011flam; 2) eyibsiz, nöqsans\u0131z, do\u011fru, dürüst dem\u0259kdir.<\/span><\/p>\n

\u015eirin: S\u0259lim\u0259nin anas\u0131.<\/span><\/p>\n

\u015eirin fars m\u0259n\u015f\u0259li sözdür. Sözün kökü \u015fir (süd kimi dadl\u0131). M\u0259na geni\u015fl\u0259nm\u0259si il\u0259 \u015eirin – \u015firin, sevimli, dadl\u0131, göz\u0259l dem\u0259kdir. Bu ada q\u0259dim dövr türk antroponimik sistemind\u0259 rast g\u0259linir.<\/span><\/p>\n

Barak: \u015eirinin \u0259ri, X\u0259l\u0259fin keçmi\u015f day\u0259si. G\u0259nc \u015fahzad\u0259nin yax\u0131n dostu (Çind\u0259 ad\u0131n\u0131 d\u0259yi\u015fib – H\u0259s\u0259n qoyub).<\/span><\/p>\n

Barak türk m\u0259n\u015f\u0259li sözdür. Müxt\u0259lif m\u0259nalarda i\u015fl\u0259nib: Barak – 1. Türk mifologiyas\u0131nda müq\u0259dd\u0259s köp\u0259k; 2. Tüklü, q\u0131ll\u0131 çuxa; 3. Evsiz, yurdsuz.<\/span><\/p>\n

Barak ona olan yax\u015f\u0131l\u0131\u011f\u0131 da, pisliyi d\u0259 yaddan ç\u0131xarmaz. Öz can\u0131n\u0131 sahibi üçün t\u0259hlük\u0259y\u0259 ata bil\u0259r v\u0259 n\u0259 olur-olsun, sahibini ç\u0259tin anda t\u0259rk etm\u0259z. Barak h\u0259r zaman X\u0259l\u0259f\u0259 sadiqdir. Pekind\u0259 evsiz-e\u015fiksiz, yurdsuzdur Barak. H\u0259s\u0259n (göz\u0259l, göyç\u0259k) \u0259r\u0259b m\u0259n\u015f\u0259li sözdür.<\/span><\/p>\n

\u0130smay\u0131l: S\u0259m\u0259rq\u0259nd \u015fahzad\u0259sinin yav\u0259ri.<\/span><\/p>\n

\u0130brahim pey\u011f\u0259mb\u0259rin H\u0259c\u0259rd\u0259n do\u011fulan o\u011flunun ad\u0131d\u0131r. \u0130smay\u0131l sözünün ilk d\u0259f\u0259 q\u0259dim y\u0259hudi dilind\u0259 (Allah e\u015fidir) i\u015fl\u0259ndiyi deyilir.<\/span><\/p>\n

Fridrix \u015eiller dahi Nizaminin “Yeddi göz\u0259l” poemas\u0131ndak\u0131 dördünci hekay\u0259nin m\u0259zmununu düzgün ba\u015fa dü\u015fmü\u015f, türk q\u0131z\u0131n\u0131n azadl\u0131q ist\u0259yini, onun qad\u0131n haqs\u0131zl\u0131\u011f\u0131na qar\u015f\u0131 mübariz\u0259sini ustal\u0131qla göst\u0259rmi\u015f, Turandotun ilahi göz\u0259lliyini, m\u0259\u011frurlu\u011funu, \u0259yilm\u0259zliyini, a\u011fl\u0131n\u0131 v\u0259 z\u0259kas\u0131n\u0131 yüks\u0259k qiym\u0259tl\u0259ndirmi\u015fdir.<\/span><\/p>\n

<\/span><\/b><\/span><\/p>\n

Turandot dünyan\u0131 g\u0259zir<\/span><\/b><\/span><\/p>\n

<\/span><\/p>\n

Nizami G\u0259nc\u0259vinin “Yeddi göz\u0259l” poemas\u0131ndak\u0131 dördüncü hekay\u0259nin süjetl\u0259ri \u0259sas\u0131nda Avropada 8-\u0259 yax\u0131n opera b\u0259st\u0259l\u0259nib. “Yeddi göz\u0259l” mövzusunda \u0259n m\u0259\u015fhur opera Cakoma Puççininin (1858-1924) “Turandot” operas\u0131d\u0131r. Librettonun mü\u0259llifl\u0259ri Karlo Qotsinin “Turandot” pyesin\u0259 istinad etmi\u015fl\u0259r. Operan\u0131n premyeras\u0131 25 aprel 1926-ci ild\u0259 (Cakoma Puççininin ölümünd\u0259n 2 il sonra) \u0130taliyan\u0131n Milan \u015f\u0259h\u0259rind\u0259 La-Skala Opera Teatr\u0131nda keçirilib.<\/span><\/p>\n

…”Turandot” bu gün d\u0259 repertuardan dü\u015fmür. Cakoma Puççininin operas\u0131 dünyan\u0131n \u0259n m\u0259\u015fhur teatr s\u0259hn\u0259l\u0259rini b\u0259z\u0259yir.<\/span><\/p>\n

…Turandot dünyan\u0131 g\u0259zir. Moskvada, Vaxtanqov ad\u0131na teatr\u0131n qar\u015f\u0131s\u0131nda (Arbatda) bir f\u0259vvar\u0259-abid\u0259 var. Q\u0131z\u0131l\u0131 paltarl\u0131 \u015eahzad\u0259 Turandot q\u0131z\u0131l\u0131 taxt\u0131nda \u0259yl\u0259\u015fib. (Abid\u0259 heyk\u0259lt\u0259ra\u015f Aleksandr Burqanov t\u0259r\u0259find\u0259n qoyulub). F\u0259vvar\u0259y\u0259 sal\u0131nan r\u0259ngb\u0259r\u0259ng i\u015f\u0131qlar Turandotu ax\u015famlar daha göz\u0259l edir.<\/span><\/p>\n

1904-cü ild\u0259 alman astronomu Maks Volf (Haydelberq r\u0259s\u0259dxanas\u0131) t\u0259r\u0259find\u0259n k\u0259\u015ff edil\u0259n asteroid “Turandot” adland\u0131r\u0131l\u0131b.<\/span><\/p>\n

Turandotu dünya kinematoqrafç\u0131lar\u0131 da unutmay\u0131b: 1935-ci ild\u0259 Almaniyada “\u015eahzad\u0259 Turandot” adl\u0131 a\u011f-qara, s\u0259sli film ç\u0259kilib; 1990-c\u0131 ild\u0259 SSR\u0130-d\u0259 d\u0259 “Turandot” filmi ç\u0259kilib. “Gürcüstanfilm”, rejissor Otar \u015eamatova; 2018-ci ild\u0259 AB\u015e kinematoqrafç\u0131lar\u0131 da “Turandot” filmi ç\u0259kibl\u0259r.<\/span><\/p>\n

<\/span><\/p>\n

Turandot türkc\u0259 dan\u0131\u015f\u0131r<\/span><\/b><\/span><\/p>\n

<\/span><\/p>\n

Dahi Az\u0259rbaycan \u015fairi Nizami G\u0259nc\u0259vinin “Yeddi göz\u0259l” poemas\u0131ndak\u0131 dördüncü hekay\u0259 \u0259sas\u0131nda frans\u0131z, italyan, alman dill\u0259rind\u0259 yaz\u0131lan “Çin \u015fahzad\u0259si”, “Turandot”, “Turandot – Çin \u015eahzad\u0259si” \u0259s\u0259rl\u0259ri bu gün dünyan\u0131n müxt\u0259lif dill\u0259rin\u0259 t\u0259rcüm\u0259 olunub, dahi \u015fairin ölm\u0259z poemalar\u0131na ölm\u0259zlik qat\u0131r.<\/span><\/p>\n

2020-ci ilin sonunda is\u0259 Almaniyan\u0131n Frankfurt-Mayn \u015f\u0259h\u0259rind\u0259 ya\u015fayan Senar Ülg\u0259r v\u0259 Selçuk Ülg\u0259r Fridrix \u015eillerin “Turandot – Cin \u015eahzad\u0259si” \u0259s\u0259rini alman dilind\u0259n türk dilin\u0259 t\u0259rcüm\u0259 edibl\u0259r.  “Turanq\u0131z\u0131 Çin prensesi Turandot” kitab\u0131 n\u0259fis \u015f\u0259kild\u0259 oxuculara t\u0259qdim olunub. (Kaynak Yay\u0131nlar\u0131, I Bas\u0131m, 2020, \u0130stanbul). Türk dilin\u0259 t\u0259rcüm\u0259 u\u011furlu al\u0131n\u0131b, oxucu \u0259s\u0259ri birn\u0259f\u0259s\u0259 oxuyur.<\/span><\/p>\n

Turandot türkc\u0259 dan\u0131\u015f\u0131r… (Biz \u0259s\u0259rin \u0259sas q\u0259hr\u0259manlar\u0131 Turandot v\u0259 X\u0259l\u0259fin sözl\u0259rini bu t\u0259rcüm\u0259d\u0259n istifad\u0259 ed\u0259r\u0259k dilimiz\u0259 uy\u011funla\u015fd\u0131rm\u0131\u015f\u0131q. Minn\u0259tdarl\u0131q edirik).<\/span><\/p>\n

Amma irad\u0131m\u0131z da var. Kitab\u0131n üz qab\u0131\u011f\u0131nda qeyd olunur ki, …”Fridrix \u015eiller\u0259 bu ölm\u0259z \u0259s\u0259ri yazd\u0131ran “Min bir gec\u0259” na\u011f\u0131llar\u0131ndan yüks\u0259l\u0259n müdriklik, kamillik v\u0259 t\u0259mizlik duy\u011fusunun böyük gücüdür”.<\/span><\/p>\n

\u018flb\u0259tt\u0259, Nizami personajlar\u0131n\u0131n Lesaj, Qots\u0131, \u015eiller, Puççini… t\u0259r\u0259find\u0259n prototip kimi istifad\u0259 olundu\u011fu elm al\u0259min\u0259 çoxdan sübut olunub. Amma bunu geni\u015f oxucu kütl\u0259sin\u0259 bu gün bir daha çatd\u0131rmaq nec\u0259 d\u0259 yerin\u0259 dü\u015f\u0259rdi…<\/span><\/p>\n

Qals\u0131n sonrak\u0131 n\u0259\u015frl\u0259r\u0259, ya da Turandot – Turan q\u0131z\u0131 – Türk q\u0131z\u0131 Az\u0259rbaycan türkc\u0259sind\u0259 dan\u0131\u015fana…<\/span><\/p>\n

<\/span><\/p>\n

<\/span><\/p>\n

Namaz Manafov<\/span><\/b><\/span><\/p>\n

filologiya üzr\u0259 f\u0259ls\u0259f\u0259 doktoru, dosent<\/span><\/b><\/span><\/p>\n

Ming\u0259çevir Dövl\u0259t Universiteti<\/span><\/b><\/span><\/p>\n

{phocagallery view=category|categoryid=701|limitstart=0|limitcount=0}<\/p>","protected":false},"excerpt":{"rendered":"

TURANDOT – TURAN QIZI – TÜRK QIZI  “\u018fd\u0259biyyat” q\u0259zeti, 11.10.2021-ci il Giri\u015f \u0259v\u0259zi Nizami\u015fünas aliml\u0259r v\u0259 Q\u0259rb \u0259d\u0259biyyat\u0131n\u0131n tan\u0131nm\u0131\u015f t\u0259dqiqatç\u0131lar\u0131 h\u0259l\u0259 kec\u0259n \u0259srin 40-c\u0131 ill\u0259rind\u0259 sübut etmi\u015fl\u0259r ki, frans\u0131z dramaturqu Alen Röne Lesaj\u0131n (1668-1747) “Çin \u015fahzad\u0259si”, italyan yaz\u0131ç\u0131s\u0131, dramaturq, na\u011f\u0131l pyesl\u0259rin mü\u0259llifi Karlo Qotsinin (1720-1806) “Turandot”, alman \u015fairi, filosof, tarixçi v\u0259 dramaturq Fridrix \u015eillerin (1759-1805) […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":""},"categories":[63],"tags":[],"class_list":["post-16080","post","type-post","status-publish","format-standard","hentry","category-khaebaerlaer-az","entry"],"_links":{"self":[{"href":"https:\/\/mdu.edu.az\/en\/wp-json\/wp\/v2\/posts\/16080","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdu.edu.az\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mdu.edu.az\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mdu.edu.az\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mdu.edu.az\/en\/wp-json\/wp\/v2\/comments?post=16080"}],"version-history":[{"count":0,"href":"https:\/\/mdu.edu.az\/en\/wp-json\/wp\/v2\/posts\/16080\/revisions"}],"wp:attachment":[{"href":"https:\/\/mdu.edu.az\/en\/wp-json\/wp\/v2\/media?parent=16080"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mdu.edu.az\/en\/wp-json\/wp\/v2\/categories?post=16080"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdu.edu.az\/en\/wp-json\/wp\/v2\/tags?post=16080"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}