{"id":16085,"date":"2021-10-14T22:14:49","date_gmt":"2021-10-14T19:14:49","guid":{"rendered":"https:\/\/mdu.edu.az\/d-biyyat-g-zetinin-14-10-2021-dzi-il-burakh-l-nda-mdu-m-kda-n-n-m-gal-si-d-rdz-olunub\/"},"modified":"2021-10-14T22:14:49","modified_gmt":"2021-10-14T19:14:49","slug":"d-biyyat-g-zetinin-14-10-2021-dzi-il-burakh-l-nda-mdu-m-kda-n-n-m-gal-si-d-rdz-olunub","status":"publish","type":"post","link":"https:\/\/mdu.edu.az\/ru\/d-biyyat-g-zetinin-14-10-2021-dzi-il-burakh-l-nda-mdu-m-kda-n-n-m-gal-si-d-rdz-olunub\/","title":{"rendered":"“\u018fd\u0259biyyat” q\u0259zetinin 14.10.2021-ci il burax\u0131l\u0131\u015f\u0131nda MDU \u0259m\u0259kda\u015f\u0131n\u0131n m\u0259qal\u0259si d\u0259rc olunub"},"content":{"rendered":"

Nizaminin Amerika t\u0259dqiqatç\u0131s\u0131 <\/span><\/b><\/p>\n

 <\/p>\n

 “\u018fd\u0259biyyat” q\u0259zeti, 14.10.2021-ci il<\/a><\/span><\/p>\n

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Amerika Birl\u0259\u015fmi\u015f \u015etatlar\u0131nda Nizami irsinin t\u0259dqiqi bax\u0131m\u0131ndan \u0259n maraql\u0131 ara\u015fd\u0131rma Nyu-York Universitetinin \u015e\u0259rq xalqlar\u0131 dill\u0259ri v\u0259 \u0259d\u0259biyyat\u0131 kafedras\u0131n\u0131n professoru Piter Çelkovskinin 1975-ci ild\u0259 Nyu-Yorkda oxuculara t\u0259qdim olunan “Göz\u0259görünm\u0259z dünyan\u0131n güzgüsü” kitab\u0131d\u0131r. Kitabda Nizaminin “Xosrov v\u0259 \u015eirin”, “Leyli v\u0259 M\u0259cnun”, “Yeddi göz\u0259l” poemalar\u0131n\u0131n n\u0259srl\u0259 q\u0131sald\u0131lm\u0131\u015f t\u0259rcüm\u0259si verilmi\u015fdir.<\/span><\/p>\n

P.Çelkovski kitaba yazd\u0131\u011f\u0131 ön söz, müq\u0259ddim\u0259 v\u0259 h\u0259r üç poemaya aid \u015f\u0259rhl\u0259rd\u0259 \u015fairin h\u0259yat\u0131 v\u0259 yarad\u0131c\u0131l\u0131\u011f\u0131 haqq\u0131nda daha çox v\u0259 ba\u015fqa \u015f\u0259rq\u015fünaslara nisb\u0259t\u0259n daha sanball\u0131 v\u0259 d\u0259qiq m\u0259lumat vermi\u015f, öz s\u0259l\u0259fl\u0259rind\u0259n f\u0259rqli olaraq, Nizamiy\u0259 yeni nöqteyi-n\u0259z\u0259rd\u0259n yana\u015fm\u0131\u015fd\u0131r.<\/span><\/p>\n

Amerika oxucusunun Nizami yarad\u0131c\u0131l\u0131\u011f\u0131 il\u0259 laz\u0131m\u0131nca tan\u0131\u015f olmad\u0131\u011f\u0131n\u0131 n\u0259z\u0259r\u0259 alan P.Çelkovski yaz\u0131r: “…Göz\u0259llik c\u0259h\u0259td\u0259n Nizami “X\u0259ms\u0259”sinin tay\u0131-b\u0259rab\u0259ri yoxdur. D\u0259rin t\u0259f\u0259kkürlü dilçi alim, psixoloq Nizami öz estetizmi, n\u0259\u015f\u0259li v\u0259 inc\u0259 t\u0259svirl\u0259ri il\u0259 dahiliyini bir daha sübut edir. Nizaminin \u0259s\u0259rl\u0259ri öz \u015föhr\u0259ti \u0259traf\u0131nda yüzl\u0259rl\u0259 p\u0259r\u0259sti\u015fkar toplam\u0131\u015f olsa da, onu izl\u0259y\u0259nl\u0259rin heç biri onun s\u0259viyy\u0259sin\u0259 yüks\u0259l\u0259 bilm\u0259mi\u015fdir”.<\/span><\/p>\n

“Nizami d\u0259qiq psixoloji t\u0259svirl\u0259r yaratmaqda tays\u0131z istedad sahibidir. \u0130st\u0259r günd\u0259lik h\u0259yat\u0131n \u0259n adi hadis\u0259si, ist\u0259r ov m\u0259clisl\u0259ri, ist\u0259rs\u0259 d\u0259 saray \u015f\u0259nlikl\u0259ri olsun, onlar\u0131 \u015fair eyni d\u0259r\u0259c\u0259d\u0259 qüvv\u0259tli v\u0259 maraql\u0131 t\u0259svir edir”.<\/span><\/p>\n

“Nizami t\u0259kc\u0259 t\u0259\u015fbehl\u0259r v\u0259 b\u0259dii sur\u0259tl\u0259r yaratm\u0131r, o, t\u0259z\u0259 sözl\u0259r yarad\u0131r. Bu sözl\u0259rin yeni m\u0259na çalarlar\u0131n\u0131 i\u015fl\u0259tm\u0259kl\u0259, dan\u0131\u015f\u0131\u011f\u0131n, nitqin t\u0259z\u0259 ifad\u0259l\u0259rini üz\u0259 ç\u0131xar\u0131r. Nizami t\u0259kc\u0259 söz r\u0259ssam\u0131 olaraq qalm\u0131r. O, adic\u0259 k\u0259rpicl\u0259rd\u0259n istifad\u0259 ed\u0259r\u0259k ustal\u0131qla el\u0259 göz\u0259l saraylar tikir ki, onlar adam\u0131 valeh edir. Bir dahi \u015feir ustad\u0131 kimi Nizami mahir v\u0259 \u0259v\u0259zsizdir”.<\/span><\/p>\n

P.Çelkovski \u015fairin sufizml\u0259 \u0259laq\u0259sini danmadan bildirir ki, Nizami öz dövründ\u0259 bütün üsyankar q\u0259lbl\u0259rin getdiyi yolla getmi\u015f, xalq\u0131n ictimai rifah\u0131na çal\u0131\u015fan v\u0259 \u015f\u0259h\u0259r s\u0259n\u0259tkarlar\u0131 aras\u0131nda gizli özünümüdafi\u0259 t\u0259\u015fkilatlar\u0131 yaratm\u0131\u015f sufil\u0259rin m\u0259\u015fhur \u0259xil\u0259r t\u0259riq\u0259ti nümay\u0259nd\u0259l\u0259ri il\u0259 yax\u0131ndan \u0259laq\u0259d\u0259 olmu\u015f v\u0259 öz q\u0259hr\u0259manlar\u0131n\u0131 onlar\u0131n iç\u0259risind\u0259n seçmi\u015fdir.<\/span><\/p>\n

P.Çelkovski t\u0259r\u0259find\u0259n “Sirl\u0259r x\u0259zin\u0259si” \u015e\u0259rq xalqlar\u0131n\u0131n b\u0259dii t\u0259f\u0259kkür t\u0259rzind\u0259 dönü\u015f, “Xosrov v\u0259 \u015eirin” t\u0259kc\u0259 Nizami yarad\u0131c\u0131l\u0131\u011f\u0131nda deyil, h\u0259m d\u0259 bütün farsdilli \u0259d\u0259biyyatda \u0259sl \u0259d\u0259bi hadis\u0259, forma v\u0259 m\u0259zmun göz\u0259lliyini kamillikl\u0259 özünd\u0259 t\u0259c\u0259ssüm etdir\u0259n ilk bitkin poema “Leyli v\u0259 M\u0259cnun” poeziya s\u0259n\u0259tind\u0259 h\u0259qiqi triumf kimi xarakteriz\u0259 edilmi\u015fdir.<\/span><\/p>\n

“Yeddi göz\u0259l” poemas\u0131n\u0131n t\u0259hlili il\u0259 ba\u011fl\u0131 Amerika \u015f\u0259rq\u015fünas\u0131n\u0131n mülahiz\u0259l\u0259ri d\u0259 obyektiv s\u0259sl\u0259nir:<\/span><\/p>\n

“Yeddi göz\u0259l” “X\u0259ms\u0259”y\u0259 daxil olan poemalar\u0131n \u0259n mür\u0259kk\u0259bidir. Dünyaya b\u0259lli olan \u0259n seçm\u0259 incil\u0259rd\u0259n v\u0259 \u0259n parlaq brilyantlardan düz\u0259ldilmi\u015f misilsiz z\u0259rg\u0259rlik \u0259s\u0259ri kimi heyranedicidir. “Yeddi göz\u0259l” mistik poema kimi d\u0259 izah oluna bil\u0259r. Nizami ehyamla dan\u0131\u015fma\u011f\u0131 sev\u0259n \u015fairdir. O, heç vaxt erotika il\u0259 didaktika aras\u0131nda s\u0259rh\u0259d qoymur, çox zaman birini dig\u0259rin\u0259 \u0259yani misal kimi i\u015fl\u0259dir.<\/span><\/p>\n

P.Çelkovskinin yerd\u0259n tap\u0131l\u0131b sahibi bilinm\u0259y\u0259n \u0259n qiym\u0259tli d\u0259fin\u0259 adland\u0131rd\u0131\u011f\u0131 “Yeddi göz\u0259l”\u0259 yazd\u0131\u011f\u0131 \u015f\u0259rh d\u0259 \u0259d\u0259bi v\u0259 elmi \u0259h\u0259miyy\u0259t\u0259 malikdir. \u015e\u0259rhd\u0259 alimin poeman\u0131n ad\u0131ndan tutmu\u015f, obrazlar al\u0259mi, s\u0259n\u0259tkarl\u0131q xüsusiyy\u0259tl\u0259ri, Firdovsinin “\u015eahnam\u0259”si il\u0259 ba\u011fl\u0131 v\u0259 f\u0259rqli c\u0259h\u0259tl\u0259r, h\u0259r iki \u015fairin yaratd\u0131qlar\u0131 qad\u0131n obrazlar\u0131n\u0131n müqayis\u0259li t\u0259hlili, Nizaminin dünyan\u0131n geosentrik qurulu\u015fu haqq\u0131nda m\u0259lumatlar\u0131na münasib\u0259t v\u0259 s. bar\u0259d\u0259ki fikirl\u0259ri diqq\u0259t\u0259layiqdir. P.Çelkovskinin fikrinc\u0259, “…Yeddi \u015fahzad\u0259 xan\u0131m t\u0259r\u0259find\u0259n söyl\u0259nil\u0259n hekay\u0259l\u0259r insan h\u0259yat\u0131n\u0131n yeddi dayanaca\u011f\u0131, insan taleyinin yeddi aspekti, mistik yolun yeddi sah\u0259si kimi qiym\u0259tl\u0259ndiril\u0259 bil\u0259r…”.<\/span><\/p>\n

Poemada B\u0259hram\u0131n qara saraydan, y\u0259ni Allahla insan\u0131n aras\u0131nda olan qara p\u0259rd\u0259d\u0259n a\u011fa-t\u0259mizliy\u0259, h\u0259qiq\u0259t\u0259 qovu\u015fmaya ged\u0259n simvolik yolu t\u0259svir olunur.<\/span><\/p>\n

Saraylar günb\u0259nd \u015f\u0259klind\u0259 olub göyün qurulu\u015funu ifad\u0259 edir. \u015eahzad\u0259 xan\u0131mlar v\u0259 onlar\u0131n saraylar\u0131 yeddi xarakterik planet\u0259, yeddi iqlim\u0259, yeddi r\u0259ng\u0259 v\u0259 yeddi gün\u0259 i\u015far\u0259dir.<\/span><\/p>\n

“…Bel\u0259likl\u0259, Nizami din v\u0259 düny\u0259viliyin uy\u011funlu\u011funu \u0259yani olaraq t\u0259svir edir”.<\/span><\/p>\n

P.Çelkovskinin “X\u0259ms\u0259”d\u0259n t\u0259rcüm\u0259l\u0259rin\u0259 g\u0259ldikd\u0259 qeyd edilm\u0259lidir ki,  t\u0259rcüm\u0259çi m\u0259tnl\u0259rin seçilm\u0259sind\u0259 s\u0259rb\u0259st yolla getmi\u015f, poemalardan mac\u0259ra v\u0259 s\u0259rgüz\u0259\u015ft xarakterli hiss\u0259l\u0259r\u0259 daha çox üstünlük vermi\u015f, b\u0259z\u0259n m\u0259tn\u0259 \u0259lav\u0259l\u0259r etmi\u015f, yaxud q\u0131saltmalar aparm\u0131\u015f, bir sözl\u0259, \u0259g\u0259r dem\u0259k caizs\u0259, Amerika oxucular\u0131n\u0131n maraqlar\u0131n\u0131 \u0259sas götürmü\u015fdür. Fikrimizi \u0259sasland\u0131rmaq üçün “Yeddi göz\u0259l” poemas\u0131ndan bir neç\u0259 t\u0259rcüm\u0259 nüm\u0259sin\u0259 diqq\u0259t yetirm\u0259k kifay\u0259tdir.<\/span><\/p>\n

Nizami G\u0259nc\u0259vi poeman\u0131n “B\u0259hram\u0131n dastan\u0131n\u0131n ba\u015flan\u011f\u0131c\u0131” f\u0259slind\u0259 Y\u0259zdikürdl\u0259 B\u0259hram\u0131 xarakteriz\u0259 ed\u0259rk\u0259n birincini qatil, q\u0259ddar, xalqa qar\u015f\u0131 \u0259zazil v\u0259 qan tök\u0259n kimi, ikincini is\u0259 \u0259dal\u0259tli, xeyirxah, humanist, xalqa n\u0259vazi\u015f göst\u0259r\u0259n kimi t\u0259svir edir:<\/span><\/p>\n

<\/span><\/p>\n

O, (xalq\u0131) q\u0131r\u0131rd\u0131, bu is\u0259 n\u0259vazi\u015f edirdi,<\/span><\/em><\/span><\/p>\n

bu t\u0259\u0259ccüblüdür.  <\/span><\/em><\/span><\/p>\n

H\u0259mi\u015f\u0259 da\u015f l\u0259l il\u0259, tikan is\u0259 xurma il\u0259 <\/span><\/em><\/span><\/p>\n

(birg\u0259) olur.<\/span><\/em><\/span><\/p>\n

O, (Y\u0259zdikürd) h\u0259r kimin aya\u011f\u0131n\u0131 s\u0131nd\u0131rm\u0131\u015fsa,<\/span><\/em><\/span><\/p>\n

Bu (B\u0259hram), ona m\u0259rh\u0259m\u0259tl\u0259 mumiya verib<\/span><\/em><\/span><\/p>\n

(sa\u011faltd\u0131).  <\/span><\/em><\/span><\/p>\n

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T\u0259rcüm\u0259çi ayd\u0131n \u015f\u0259kild\u0259 ifad\u0259 edil\u0259 bil\u0259n bu beytl\u0259r\u0259 a\u015fa\u011f\u0131dak\u0131lar\u0131 \u0259lav\u0259 etmi\u015fdir:<\/span><\/p>\n

“Q\u0259dim zamanlarda Y\u0259zdikürd bütün \u0130ran\u0131n \u015fah\u0131 oldu\u011fu zaman, ölk\u0259 görünm\u0259mi\u015f bir firavanl\u0131q içind\u0259 ya\u015fay\u0131rd\u0131. Q\u0259hr\u0259manlar \u015füca\u0259tl\u0259r göst\u0259rir, \u015fairl\u0259r böyük \u0259s\u0259rl\u0259r yazmaq üçün t\u0259b\u0259 g\u0259lir, tay\u0131-b\u0259rab\u0259ri olmayan saraylar\u0131n qübb\u0259l\u0259ri \u0259z\u0259m\u0259tl\u0259 göy\u0259 ucal\u0131rd\u0131. M\u0259hsul b\u0259r\u0259k\u0259tli idi, bazarlar a\u015f\u0131b-da\u015f\u0131rd\u0131, \u015fahl\u0131\u011f\u0131n var- dövl\u0259ti sanki axan s\u0259hra qumundan t\u0259p\u0259l\u0259r kimi art\u0131rd\u0131”.<\/span><\/p>\n

El\u0259 t\u0259rcüm\u0259nin ba\u015flan\u011f\u0131c\u0131nda aç\u0131q-ayd\u0131n görünür ki, P.Çelkovski Nizami m\u0259tnini büsbütün d\u0259yi\u015fdirmi\u015f, t\u0259rcüm\u0259y\u0259 \u0259s\u0259rin \u0259slind\u0259 olmayan – Y\u0259zdikürdün hakimiyy\u0259ti ill\u0259rind\u0259 ölk\u0259nin firavanl\u0131q v\u0259 t\u0259r\u0259qqisind\u0259n dan\u0131\u015f\u0131lan – cüml\u0259l\u0259ri \u0259lav\u0259 etmi\u015fdir. Nizami “Yeddi göz\u0259l”d\u0259 Y\u0259zdikürd v\u0259 B\u0259hram sur\u0259tl\u0259rinin müqayis\u0259sini öt\u0259ri olaraq verm\u0259mi\u015f, bu müqayis\u0259 ata v\u0259 o\u011fulun hakimiyy\u0259t ill\u0259rini v\u0259 h\u0259r ikisinin psixologiyas\u0131ndak\u0131 ayr\u0131l\u0131qlar\u0131 göst\u0259rm\u0259k m\u0259qs\u0259di güdmü\u015fdü. Bel\u0259likl\u0259, xarakter v\u0259 dü\u015fünc\u0259 il\u0259 bir-birind\u0259n f\u0259rql\u0259n\u0259n, el\u0259c\u0259 d\u0259 tam bar\u0131\u015fmaz b\u0259dii sur\u0259tl\u0259rin s\u0259ciyy\u0259sin\u0259 ciddi x\u0259l\u0259l d\u0259ymi\u015fdir. Üst\u0259lik, ölk\u0259nin idar\u0259 edilm\u0259sinin \u0259dal\u0259tlilik prinsipi bar\u0259d\u0259ki Nizami G\u0259nc\u0259vi münasib\u0259ti kökünd\u0259n d\u0259yi\u015fmi\u015fdir.<\/span><\/p>\n

“Quraql\u0131q ilinin t\u0259sviri v\u0259 B\u0259hram\u0131n \u015f\u0259fq\u0259ti” f\u0259slind\u0259 B\u0259hram\u0131n \u0259kinsiz – m\u0259hsulsuz dörd il iç\u0259risind\u0259 “xalq\u0131n ruzisini x\u0259zin\u0259sinin hesab\u0131na yazmas\u0131”, bütün \u0259halini q\u0131tl\u0131qdan qurtarmas\u0131, yaln\u0131z birc\u0259 n\u0259f\u0259rin acl\u0131qdan ölm\u0259sind\u0259 özünü suçlu bilib “su kimi bulan\u0131b p\u0259ri\u015fan olmas\u0131” Nizaminin “Ölk\u0259l\u0259r \u015fahlardan s\u0259ad\u0259t tapar” fikrinin alq\u0131\u015flanmas\u0131 kimi s\u0259sl\u0259nir:<\/span><\/p>\n

<\/span><\/p>\n

Xo\u015fb\u0259xt o \u015fahd\u0131r ki, öz nem\u0259t v\u0259 n\u0259vazi\u015fil\u0259<\/span><\/em><\/span><\/p>\n

R\u0259iyy\u0259ti ölümd\u0259n qoruyur<\/span><\/em>.<\/span><\/span><\/p>\n

<\/span><\/p>\n

Nizaminin \u0259dal\u0259t haqq\u0131nda fikrini Amerika oxucusuna çatd\u0131rmaq niyy\u0259tind\u0259 yanl\u0131\u015fl\u0131\u011fa yol ver\u0259n P.Çelkovski \u0259dal\u0259tliliyin yollar\u0131n\u0131 aç\u0131q-ayd\u0131n göst\u0259r\u0259n “Quraql\u0131q ilinin t\u0259sviri v\u0259 B\u0259hram\u0131n \u015f\u0259fq\u0259ti” bölm\u0259sini t\u0259rcüm\u0259 etm\u0259mi\u015fdir.<\/span><\/p>\n

Poeman\u0131n “B\u0259hram\u0131n q\u0131\u015f m\u0259clisinin v\u0259sfi v\u0259 onun yeddi günb\u0259z tikdirm\u0259si” bölm\u0259sind\u0259n ayd\u0131n olur ki, çinlil\u0259rin \u0130ran\u0131n üstün\u0259 qo\u015fun ç\u0259km\u0259si v\u0259 m\u0259\u011flub edilm\u0259sind\u0259n sonra B\u0259hram \u015eid\u0259y\u0259 “yeddi ulduzun t\u0259bi\u0259tin\u0259 uy\u011fun” yeddi göz\u0259l\u0259 layiq yeddi r\u0259ngli günb\u0259z tikdirir. F\u0259slin n\u0259tic\u0259si kimi is\u0259 a\u015fa\u011f\u0131dak\u0131lar verilmi\u015fdir:<\/span><\/p>\n

“\u0130ki illik arams\u0131z z\u0259hm\u0259td\u0259n sonra saray ba\u015fa çatanda \u015fah o d\u0259r\u0259c\u0259d\u0259 heyran oldu ki, \u015eid\u0259ni göz\u0259l h\u0259diyy\u0259l\u0259r\u0259 q\u0259rq etdi.<\/span><\/p>\n

Müqayis\u0259 göst\u0259rdiyi kimi, burada \u0259n maraql\u0131 bölm\u0259 q\u0131sald\u0131lm\u0131\u015fd\u0131r. Bel\u0259 ki, Neman möcüz\u0259 yaradan memar Simnar\u0131 öldürürs\u0259, B\u0259hram günb\u0259zli saraylar\u0131 in\u015fa ed\u0259n \u015eid\u0259y\u0259 Bab\u0259k \u015f\u0259h\u0259rini ba\u011f\u0131\u015flayaraq deyir:<\/span><\/p>\n

<\/span><\/p>\n

Dedi; Neman x\u0259ta edib<\/span><\/em><\/span><\/p>\n

Öz dostunu c\u0259zaland\u0131r\u0131bsa, qoy<\/span><\/em><\/span><\/p>\n

M\u0259nim \u0259dal\u0259tim o zülm\u0259 gör\u0259 üzrxahl\u0131q olsun. <\/span><\/em><\/span><\/p>\n

<\/span><\/p>\n

Göründüyü kimi, P.Çelkovski poeman\u0131n el\u0259 bölm\u0259l\u0259rini ixtisara salm\u0131\u015fd\u0131r ki, bunlar bilavasit\u0259 ictimai probleml\u0259rl\u0259, sosial \u0259dal\u0259t prinsipl\u0259ri il\u0259 ba\u011fl\u0131 m\u0259s\u0259l\u0259l\u0259r idi.<\/span><\/p>\n

Bel\u0259likl\u0259, bel\u0259 bir gerç\u0259klik ayd\u0131n olur ki, P.Çelkovski Nizami G\u0259nc\u0259vinin “Yeddi göz\u0259l” poemas\u0131n\u0131n t\u0259rcüm\u0259sind\u0259 \u015fairin yarad\u0131c\u0131l\u0131\u011f\u0131n\u0131n m\u0259h\u0259k da\u015f\u0131 olan v\u0259 “obrazl\u0131 t\u0259f\u0259kkürün nailiyy\u0259tl\u0259ri ifad\u0259 olunmu\u015f b\u0259dii-f\u0259ls\u0259fi fikirl\u0259ri” (Y.Qarayev) ikinci yer\u0259 keçirmi\u015f, sad\u0259l\u0259\u015fdirmi\u015f v\u0259 q\u0131saltm\u0131\u015f, yuxar\u0131da qeyd edildiyi kimi daha çox mac\u0259ra v\u0259 s\u0259rgüz\u0259\u015ft xarakterli parçalara üstünlük vermi\u015f, bu da \u0259s\u0259rin ictimai gücün\u0259 m\u0259nfi t\u0259sir göst\u0259rmi\u015fdir. Ancaq bu nöqsanlarla yana\u015f\u0131, Nizami poemalar\u0131n\u0131n P.Çelkovski t\u0259r\u0259find\u0259n ingilis dilin\u0259 çevrilm\u0259si \u015fairin \u0259d\u0259bi irsinin  Amerikada yay\u0131lmas\u0131 yolunda at\u0131lm\u0131\u015f tutarl\u0131 bir add\u0131md\u0131r.<\/span><\/p>\n

 <\/p>\n

May\u0131l \u0130smay\u0131lov
<\/span><\/b><\/span><\/p>\n

filologiya üzr\u0259 f\u0259ls\u0259f\u0259 doktoru, \u018fm\u0259kdar mü\u0259llim
<\/span><\/b><\/span><\/p>\n

Ming\u0259çevir Dövl\u0259t Universiteti<\/span><\/b><\/span><\/p>\n

<\/span><\/p>","protected":false},"excerpt":{"rendered":"

Nizaminin Amerika t\u0259dqiqatç\u0131s\u0131    “\u018fd\u0259biyyat” q\u0259zeti, 14.10.2021-ci il Amerika Birl\u0259\u015fmi\u015f \u015etatlar\u0131nda Nizami irsinin t\u0259dqiqi bax\u0131m\u0131ndan \u0259n maraql\u0131 ara\u015fd\u0131rma Nyu-York Universitetinin \u015e\u0259rq xalqlar\u0131 dill\u0259ri v\u0259 \u0259d\u0259biyyat\u0131 kafedras\u0131n\u0131n professoru Piter Çelkovskinin 1975-ci ild\u0259 Nyu-Yorkda oxuculara t\u0259qdim olunan “Göz\u0259görünm\u0259z dünyan\u0131n güzgüsü” kitab\u0131d\u0131r. Kitabda Nizaminin “Xosrov v\u0259 \u015eirin”, “Leyli v\u0259 M\u0259cnun”, “Yeddi göz\u0259l” poemalar\u0131n\u0131n n\u0259srl\u0259 q\u0131sald\u0131lm\u0131\u015f t\u0259rcüm\u0259si verilmi\u015fdir. P.Çelkovski […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":""},"categories":[63],"tags":[],"class_list":["post-16085","post","type-post","status-publish","format-standard","hentry","category-khaebaerlaer-az","entry"],"_links":{"self":[{"href":"https:\/\/mdu.edu.az\/ru\/wp-json\/wp\/v2\/posts\/16085","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdu.edu.az\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mdu.edu.az\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mdu.edu.az\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mdu.edu.az\/ru\/wp-json\/wp\/v2\/comments?post=16085"}],"version-history":[{"count":0,"href":"https:\/\/mdu.edu.az\/ru\/wp-json\/wp\/v2\/posts\/16085\/revisions"}],"wp:attachment":[{"href":"https:\/\/mdu.edu.az\/ru\/wp-json\/wp\/v2\/media?parent=16085"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mdu.edu.az\/ru\/wp-json\/wp\/v2\/categories?post=16085"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdu.edu.az\/ru\/wp-json\/wp\/v2\/tags?post=16085"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}